I think that even adults need the magic of fairy tales in their lives, and last night I was transported to the land of beautiful Princesses, handsome heroes and magic lamps when I attended the press preview of Aladdin by the Birmingham Royal Ballet at the Birmingham Hippodrome.
This production by David Bintley is an exquisite triumph, perfect entertainment for the whole family, with scenes that amuse, romantic sequences that charm, and an wholly engaging cast that keep you entertained throughout.
The story is kept thankfully familiar, Mathias Dingman is wonderful as Aladdin, playing the role as a likeable cheeky chappy who gets himself into troubles that almost cost him his head. He rescued by sinister Maghrib who sets him the task to find a magic lamp. This leads to a scene of sheer enchantment as Aladdin progresses through a truly beautiful cave, where the myriad of rubies, emeralds and sapphires are bought to life by a series of energetic dances, before Aladdin finally reaches the centre of the cave, and thus the lamp. The scenery in this particular section is stunning, I loved the stalagmites in a multitude of colours that echo the variety of gems in the cave.
The cave scene is a real favourite, bit there were many other sections to enjoy, not least of which was the wedding dance of the Chinese Dragon, resplendent in white and gold, and actually Aladdin’s friends (Kit Holder and Lachlan Monagham). And I loved the romance of the bathhouse scene, where Aladdin and the beautiful princess ( the always sublime Momoko Hirata) first meet properly and fall in love, their dancing is joyful and tender and is just lovely. In terms of the characterisations, The Maghrib (Iain Mackay) is a suitably dark and devilish bad guy with plenty of swigger and presence, whilst the blue genie (Tzu-Chao Chou) is both magical and genial, and delights every time he appears. Aladdin’s mother, the legendary Marion Tait, brings forth the comic element, especially in the scene in the Chinese Laundry.
A mention must be made of the set, which is almost an extra character in this ballet. You really are transferred to a mysterious cave, a luxurious bathhouse, a magnificent palace and a house that doubles as a Chinese laundry, and set changes are quick and seamless.
This is just a perfect night out for the whole family, delighting the audience by old and young. A total feast for the eyes and for the ears, with the Carl Davis score illuminating each scene majestically, Aladdin shows that ballet can be funny, entertaining and touching in equal parts.
Wed 4 – Sat 7th October